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Noto Sans Gothic

Noto is a global font collection for writing in all modern and ancient languages. Noto Sans Gothic is an unmodulated (β€œsans serif”) design for texts in the historical European Gothic script. It has 40 glyphs.

𐌰𐌻𐌹𐌼
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𐌰𐌻𐌻𐌰𐌹
𐌰𐌻𐌻𐌰𐌹
𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰

Styles

48
  1. Regular 400
    𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ
Regular 400 at 48px
𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷
Regular 400 at 36px
𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ.
Regular 400 at 32px
𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ.
Regular 400 at 21px
𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ. 𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ. 𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ.
Regular 400 at 16px
𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ. 𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ. 𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ. 𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ. 𐌰𐌻𐌻𐌰𐌹 𐌼𐌰𐌽𐌽𐌰 π†π‚πŒ΄πŒΉπŒ·πŒ°πŒ»πƒ 𐌾𐌰𐌷 πƒπŒ°πŒΌπŒ°πŒ»πŒ΄πŒΉπŒΊπ‰ 𐌹𐌽 π…πŒ°πŒΉπ‚πŒΈπŒΉπŒ³πŒ°πŒΉ 𐌾𐌰𐌷 π‚πŒ°πŒΉπŒ·π„πŒ΄πŒΉπƒ π…πŒ°πŒΏπ‚πŒΈπŒ°πŒ½πƒ. π†π‚πŒ°πŒΈπŒ΄πŒΉ 𐌾𐌰𐌷 πŒΌπŒΉπŒΈπ…πŒΉπƒπƒπŒ΄πŒΉ πŒ²πŒΉπŒ±πŒ½πŒ°πŒ½πƒ 𐌾𐌰𐌷 𐌻𐌹𐌱𐌰𐌽𐌳𐌰𐌿 πƒπ…πŒ΄ πŒ±π‚π‰πŒΈπ‚πŒΎπŒΏπƒ.

Choosing type

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When you have some text, how can you choose a typeface? Many peopleβ€”professional designers includedβ€”go through an app’s font menu until we find one we like. But the aim of this Google Fonts Knowledge module is to show that there are many considerations that can improve our type choices. By setting some useful constraints to aid our type selection, we can also develop a critical eye for analyzing type along the way.

Choosing web fonts: A beginner's all-in-one guide

A checklist for choosing type

Emotive considerations for choosing typefaces

Choosing reliable typefaces

Exploring typefaces with multiple weights or grades

Exploring width in type

Choosing typefaces that have optical sizes

Pairing typefaces

Pairing typefaces within a family & superfamily

Pairing typefaces by the same type designer or type foundry

Pairing typefaces using the font matrix

Exploring x-height & the em square

Adding fonts to Google Docs and Slides

Noto Sans Gothic - Google Fonts