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Noto Sans Canadian Aboriginal

Noto is a global font collection for writing in all modern and ancient languages. Noto Sans Canadian Aboriginal is an unmodulated (ā€œsans serifā€) design for texts in the American Canadian Aboriginal syllabics script. It has multiple weights and 746 glyphs.

š‘µ®š‘¶Šš‘¶ˆš‘¶‹š‘µ³š‘¶š‘µ±š‘¶
Select preview text:
š‘µŗš‘¶‹š‘µ°š‘¶ š‘µŗš‘¶Šš‘µ­š‘¶„ š‘µ¶š‘¶“š‘¶‰š‘¶—š‘µ½š‘¶‹š‘¶„ š‘µ±š‘¶š‘¶•š‘µ»š‘¶‹,
š‘µ š‘µ­š‘¶š‘µŗ š‘µ­š‘¶“š‘¶…š‘¶—š‘µ±š‘¶‹š‘µ³š‘¶,
š‘µ š‘µøš‘¶š‘µŗ š‘¶‰š‘¶Šš‘µ½š‘¶‹ š‘µŗš‘¶Š š‘µ°š‘¶ˆš‘¶‹!

Styles

48
  1. Thin 100
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
  2. ExtraLight 200
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
  3. Light 300
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
  4. Regular 400
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
  5. Medium 500
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
  6. SemiBold 600
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
  7. Bold 700
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
  8. ExtraBold 800
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
  9. Black 900
    š‘µŗš‘¶Œš‘µ­ š‘¶€š‘¶Œš‘µ­š‘µ³ š‘¶…š‘¶š‘µ½-š‘µ¶š‘¶‚š‘¶—š‘µ°š‘¶‹
Regular 400 at 48px
š‘µŗš‘µŗ š‘µŗš‘¶Œš‘µ±š‘¶š‘µŗ š‘µ¶š‘¶‹š‘µ¬š‘µŗš‘¶—š‘µ³ š‘¶‰š‘¶ˆš‘¶—š‘µøš‘¶š‘µŗ š‘µ®š‘¶Šš‘¶ˆš‘¶š‘µ³š‘¶ š‘µ®š‘¶“š‘µø š‘µ±š‘¶Œš‘µ³š‘¶“š‘µŗ š‘µ š‘µŗš‘¶‹ š‘µŗš‘¶‹š‘µ¬š‘µ³š‘¶—š‘µŗ š‘¶‰š‘¶ˆš‘¶—š‘µøš‘¶ š‘µ³š‘¶Šš‘µ±š‘¶š‘¶‰š‘¶š‘¶ˆ š‘µ°š‘¶•š‘µ³š‘¶“š‘µŗ.
Regular 400 at 36px
š‘µŗš‘¶‹š‘µ°š‘¶ š‘µ³š‘¶Šš‘µ±š‘¶—š‘µŗš‘¶š‘µ±š‘¶ š‘µŗš‘¶Œš‘µ­š‘¶„ š‘µ±š‘¶Šš‘µµš‘¶—š‘µ±š‘¶š‘µŗ š‘µ®š‘µ³š‘µ¬ š‘µ š‘¶‚š‘¶—š‘¶‚š‘µ° š‘µ­š‘¶Šš‘µ¬š‘¶“. š‘µ š‘µŗš‘¶‹ š‘µŗš‘¶‹š‘µ°š‘¶ š‘µ­š‘¶‹š‘µ³š‘¶—š‘µŗš‘¶š‘µ±š‘¶ š‘µŗš‘¶Œš‘µ­š‘¶„ š‘µ±š‘¶Šš‘µµš‘¶—š‘µ±š‘¶š‘µŗ š‘µ±š‘¶“š‘µø š‘µµš‘¶Šš‘µ¶š‘¶“.
Regular 400 at 32px
š‘µ°š‘¶ˆš‘¶—š‘µ±š‘¶—ā€Œš‘µŗš‘¶‹š‘µ½! š‘µ°š‘¶Œš‘µ­š‘¶“š‘¶ˆ š‘µ®š‘¶Šš‘µ®š‘¶“š‘µŗ š‘µ®š‘¶“š‘µø š‘µ±š‘¶š‘¶•š‘¶€š‘µ½. š‘µ š‘µøš‘¶š‘µŗ š‘µøš‘¶‹š‘¶‡š‘µŗ š‘µ¢š‘¶ˆš‘¶—š‘¶‰š‘¶‹ š‘µ°š‘¶Œš‘µ­ š‘µ³š‘¶š‘µµš‘¶‹š‘µ­š‘¶‹-š‘µ¶š‘¶‹š‘µ¬š‘µŗš‘¶—š‘µ³š‘¶š‘µŗ š‘µ®š‘¶‚š‘¶‹ š‘µ±š‘¶Œš‘µ°š‘¶—š‘µ½. š‘µ®š‘¶Šš‘¶ˆš‘¶‹š‘µ³š‘¶š‘µ±š‘¶ š‘µŗš‘µŗ š‘µ°š‘¶Œš‘µ±š‘¶š‘µŗ š‘µ»š‘¶“š‘µ±š‘¶“š‘µ½š‘¶—š‘µŗ š‘µ®š‘¶“š‘µø š‘µ­š‘¶š‘¶‡š‘¶•š‘µ³š‘¶“š‘µŗ.š‘µ š‘µøš‘¶š‘µŗ š‘µ°š‘¶‹š‘¶ˆš‘µ½ š‘¶…š‘µ½š‘¶‹ š‘µ±š‘¶‹š‘µ¬š‘¶—š‘µ­š‘µ± š‘µ°š‘µŗš‘¶—š‘µ°š‘µ½.
Regular 400 at 21px
š‘µŗš‘µŗ š‘µ¶š‘¶‹š‘¶ˆ š‘µ¤š‘¶•š‘µøš‘¶‹ š‘µ¶š‘µ½š‘¶—š‘µ±š‘µ³š‘¶ š‘µŗš‘¶Šš‘µ­š‘¶“š‘¶ˆ š‘µ®š‘¶Šš‘µ®š‘¶“š‘µŗ š‘µ°š‘¶ˆš‘¶‹š‘µŗ š‘µ”š‘¶‰š‘¶‹ š‘µ°š‘µ³š‘¶—š‘µ³š‘¶“š‘µŗ. š‘µ š‘¶‡š‘¶—š‘µŗš‘¶ š‘µŗš‘¶Š š‘µ š‘µ­š‘µŗ š‘µŗš‘µøš‘¶š‘¶‚š‘¶ š‘µ»š‘¶“š‘µ±š‘¶“š‘µ½š‘¶—š‘µŗš‘¶“š‘¶ˆ š‘µ­š‘¶“š‘¶ˆš‘¶“š‘¶ˆš‘¶ š‘µ°š‘¶ˆš‘¶‹š‘µŗ š‘µ”š‘¶‰š‘¶‹ š‘µ°š‘µ³š‘¶—š‘µ³š‘¶“š‘µŗ. š‘µ š‘¶‰š‘¶—š‘µ±š‘¶ š‘µŗš‘¶Š š‘µ®š‘¶Šš‘µ®š‘¶“ š‘µŗš‘¶Š š‘¶‰š‘¶„, š‘µŗš‘¶Šš‘µ­š‘¶„ š‘µ¶š‘¶“š‘¶‰š‘¶—š‘µ½š‘¶‹š‘¶„ š‘µŗš‘¶Œš‘µ­ š‘µøš‘¶‹š‘µµš‘¶—š‘µ³š‘µ¶ š‘¶‡š‘¶š‘µ³š‘¶ š‘µ¢š‘¶ˆ. š‘µŗš‘¶Šš‘µ­š‘¶„ š‘µ”š‘µ¶š‘¶š‘µŗ š‘¶…š‘¶‹š‘µ¬š‘¶—š‘¶‰š‘¶‹ š‘µ³š‘¶Šš‘µ±š‘µ±š‘¶‹š‘µ³š‘¶ š‘µŗš‘¶‹š‘µ°š‘¶ š‘¶…š‘¶‹š‘¶‰š‘¶•š‘µ³š‘¶‹. š‘µ¢š‘µ­š‘¶š‘µŗ š‘¶‡š‘¶‹š‘¶•š‘µøš‘µµ š‘µŗš‘¶‹š‘µ°š‘¶ š‘µ¶š‘¶‹š‘µ¬š‘µŗš‘¶—š‘µ³š‘¶š‘µŗ š‘µ š‘µŗš‘¶‹ š‘µ»š‘¶“š‘µ±š‘¶“š‘µ½š‘¶—š‘µŗ š‘µ®š‘¶š‘µøš‘¶‹š‘µ³š‘¶š‘µŗ š‘µ±š‘µ°š‘µ¬ š‘µ±š‘¶Œš‘µ°.
Regular 400 at 16px
š‘µŗš‘¶Š š‘µ³š‘¶“š‘¶‚š‘¶—š‘µøš‘µµ š‘µ­š‘¶Šš‘µ³š‘¶„ š‘µ š‘µ­ š‘µ¶š‘¶“š‘¶‰š‘¶—š‘µ½š‘¶‹š‘µŗ š‘µ°š‘¶ˆš‘¶š‘¶„š‘¶—š‘µ° š‘µ š‘µŗš‘¶‹ š‘µ š‘µ­š‘¶š‘µŗš‘µµ š‘µ®š‘¶‡š‘¶—š‘µ±š‘¶ š‘µ°š‘¶Šš‘µ¬š‘¶—š‘µ°. š‘µ¶š‘¶‹š‘µ¬š‘µŗš‘¶—š‘µ³š‘¶š‘µŗ š‘¶‰š‘¶š‘µ½š‘¶‹ š‘µ±š‘¶‹š‘µ¬š‘¶—š‘µ­š‘µ± š‘µ°š‘¶•š‘µøš‘¶—š‘µ±š‘¶‹š‘µ³š‘¶, š‘µ š‘µø š‘µŗš‘¶Œš‘µ±š‘¶š‘µŗ š‘µ±š‘¶Šš‘µ®š‘¶Šš‘¶‚š‘¶•š‘µ³. š‘µ³š‘¶Šš‘µŗ š‘¶…š‘¶š‘¶ˆš‘¶—š‘µ°š‘µ³š‘¶ š‘¶‰š‘¶Žš‘¶‚š‘¶—š‘µ±š‘¶‹š‘µ³š‘¶ š‘µ š‘µø š‘µŗš‘¶Œš‘µ±š‘¶š‘µŗ š‘µ®š‘µ»š‘¶‹ š‘µ±š‘¶Œš‘¶•š‘µ³. š‘¶‰š‘µ°š‘¶—š‘µøš‘¶‹š‘µŗš‘µµ š‘µ°š‘¶š‘µ±š‘¶ š‘µ­š‘¶Šš‘µµš‘¶ š‘µ¶š‘¶‹š‘µ¬š‘µŗš‘¶ š‘µ”š‘¶•š‘µøš‘¶. š‘µ š‘µøš‘¶š‘µŗ š‘¶‰š‘¶Šš‘µ½š‘¶‹ š‘µ³š‘¶Šš‘µŗ š‘µ±š‘µ°š‘µ¬ š‘µ±š‘¶Œš‘µ°. š‘µŗš‘¶‹š‘¶‡š‘¶—š‘µ¶ š‘µ°š‘µŗš‘¶—š‘µ­š‘µµ š‘¶‰š‘µ°š‘¶—š‘µøš‘¶“š‘µ³š‘¶š‘µŗ š‘¶‰š‘¶Œš‘¶‰š‘¶‹ š‘µ³š‘¶š‘¶ˆ š‘µ®š‘µ³š‘¶‹, š‘µ š‘µøš‘¶š‘µŗ š‘µ±š‘µ°š‘µ¬ š‘µ±š‘¶Œš‘µ°. š‘µ š‘µø š‘µ¶š‘¶‹š‘µ¬š‘µŗš‘¶—š‘µ³š‘¶š‘µŗ š‘µŗš‘¶‹š‘µ°š‘¶ š‘µ°š‘¶Šš‘µŗš‘¶‹ š‘µ±š‘¶Œš‘µ±š‘¶‹š‘µ³š‘¶, š‘µ š‘µø š‘µŗš‘¶Œš‘µ±š‘¶š‘µŗ š‘µ®š‘¶‚š‘¶‹ š‘µ±š‘¶Œš‘¶•š‘µ³. š‘µ³š‘¶Šš‘µŗ š‘µŗš‘¶‹š‘µ°š‘¶ š‘µ¤š‘¶ˆš‘¶—š‘µŗš‘¶—ā€Œš‘µ¶š‘¶‹ š‘µ±š‘¶Œš‘µ±š‘¶‹š‘µ³š‘¶, š‘µ š‘µø š‘µŗš‘¶Œš‘µ±š‘¶š‘µŗ š‘µ°š‘¶Šš‘µŗ š‘µ³š‘¶ˆš‘¶•š‘µ³. š‘µ š‘µø š‘µŗš‘¶Œš‘µ­ š‘µ³š‘µµš‘µ³ š‘¶…š‘¶“š‘¶ˆš‘¶“š‘¶‚š‘µµ š‘¶…š‘¶š‘¶„š‘µ±š‘¶—š‘µŗ š‘¶‰š‘¶“š‘µ®š‘µ³ š‘¶‡š‘¶Šš‘¶ˆ š‘µ­š‘¶Šš‘µ½š‘¶—š‘¶‰š‘¶‹, š‘µ°š‘µ¬š‘¶—š‘µ°š‘µ³ š‘µ±š‘¶‹š‘¶ˆš‘¶‹š‘µ½ š‘µŗš‘¶Œš‘µ±š‘¶š‘µŗ š‘µ±š‘¶š‘¶ˆš‘¶š‘¶‰š‘¶•š‘µ³.

Choosing type

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When you have some text, how can you choose a typeface? Many peopleā€”professional designers includedā€”go through an appā€™s font menu until we find one we like. But the aim of this Google Fonts Knowledge module is to show that there are many considerations that can improve our type choices. By setting some useful constraints to aid our type selection, we can also develop a critical eye for analyzing type along the way.

Choosing web fonts: A beginner's all-in-one guide

A checklist for choosing type

Emotive considerations for choosing typefaces

Choosing reliable typefaces

Exploring typefaces with multiple weights or grades

Exploring width in type

Choosing typefaces that have optical sizes

Pairing typefaces

Pairing typefaces within a family & superfamily

Pairing typefaces by the same type designer or type foundry

Pairing typefaces using the font matrix

Exploring x-height & the em square

Adding fonts to Google Docs and Slides

Noto Sans Canadian Aboriginal - Google Fonts