Montserrat
Designed by Julieta Ulanovsky, Sol Matas, Juan Pablo del Peral, Jacques Le Bailly
Styles
- Thin 100šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Thin 100 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- ExtraLight 200šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- ExtraLight 200 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Light 300šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Light 300 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Regular 400šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Regular 400 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Medium 500šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Medium 500 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- SemiBold 600šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- SemiBold 600 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Bold 700šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Bold 700 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- ExtraBold 800šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- ExtraBold 800 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Black 900šµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
- Black 900 Italicšµŗš¶šµ š¶š¶šµšµ³ š¶ š¶šµ½-šµ¶š¶š¶šµ°š¶
When you have some text, how can you choose a typeface? Many peopleāprofessional designers includedāgo through an appās font menu until we find one we like. But the aim of this Google Fonts Knowledge module is to show that there are many considerations that can improve our type choices. By setting some useful constraints to aid our type selection, we can also develop a critical eye for analyzing type along the way.
Choosing web fonts: A beginner's all-in-one guide
A checklist for choosing type
Emotive considerations for choosing typefaces
Choosing reliable typefaces
Exploring typefaces with multiple weights or grades
Exploring width in type
Choosing typefaces that have optical sizes
Pairing typefaces
Pairing typefaces within a family & superfamily
Pairing typefaces by the same type designer or type foundry
Pairing typefaces using the font matrix
Exploring x-height & the em square
Adding fonts to Google Docs and Slides